It can help in T13 to think of the facets as having an embedded Conflict. Every Yin Facet is opposed to every Yang Facet. This creates two sides, but these are not like sides of a war, these are more like the genders of their patrons, somewhat unattached to the Facet itself.
Each Facet in fact has a unique relationship with its opposite, and all Facets interact through the usual Harmonic System.
| Names | Awe (3/ N1/ S6/ F6/ G10) | Burden (6/ N2/ S11/ F13/ G11) | Craft (8/ N2/ S1/ F7/ G5) | Dominion (7/ N4/ S7/ F9/ G8) | Enigma (10/ N5/ S7/ F12/ G4) | Fury (8/ N8/ S7/ F10/ G10) | Gossamer (7/ N3/ S13/ F3/ G7) | Heresy (9/ N8/ S11/ F7/ G5) | Inertia (1/ N1/ S8/ F11/ G10) | Jeer (13/ N1/ S10/ F3/ G4) | Key (8/ N2/ S6/ F2/ G3) | Liberty (9/ N3/ S7/ F11/ G10) | Miasma (8/ N4/ S3/ F5/ G8) | Nature (5/ N5/ S12/ F11/ G12) | Orthodox (9/ N7/ S3/ F6/ G6) | Phoenix (12/ N8/ S13/ F8/ G12) | Quiet (8/ N1/ S12/ F5/ G4) | Rook (9/ N2/ S5/ F4/ G6) | Sin (3/ N6/ S1/ F11/ G6) | Trial (11/ N4/ S2/ F9/ G4) | Virtue (6/ N6/ S12/ F12/ G6) | Wyrd (4/ N6/ S1/ F12/ G9) | Yonder (6/ N1/ S13/ F11/ G10) | Zeal (7/ N7/ S6/ F10/ G7) |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Awe (3/ N1/ S6/ F6/ G10) | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: 0 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Affectionate (8)β The Character named to the left sees the Character named above affectionately, they may be very good friends, or even lovers. They may have a lot in common, and years of friendship, or this may be a case of opposites attracting and love at first sight.Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. |
| Burden (6/ N2/ S11/ F13/ G11) | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: 0 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. |
| Craft (8/ N2/ S1/ F7/ G5) | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Compound-Minor-Third (+1)This interval is a compound of at least one Octave and The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: 0 Interval: Minor-Sixth (-1)The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: 0 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: 0 Interval: Compound-Perfect Fifth (+5)This interval is a compound of at least one Octave and The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: 0 Interval: Compound-Perfect Fifth (+5)This interval is a compound of at least one Octave and The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: 0 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: 0 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Compound-Perfect Fourth (+4)This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. |
| Dominion (7/ N4/ S7/ F9/ G8) | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Compound-Minor-Third (+1)This interval is a compound of at least one Octave and The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π₯° Loving (9)β The Character named to the left loves the Character named above. They find them attractive, wonderful and find themselves thinking about them when they are not there. This might be love at first sight, or just a deep partnership or best friend situation. There is a danger to this state, in that Soul-Stakes are often involved, with Characters placing Devotions upon each other all too easily.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π₯° Loving (9)β The Character named to the left loves the Character named above. They find them attractive, wonderful and find themselves thinking about them when they are not there. This might be love at first sight, or just a deep partnership or best friend situation. There is a danger to this state, in that Soul-Stakes are often involved, with Characters placing Devotions upon each other all too easily.Applied Modifiers: 0 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: 0 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Compound-Major-Sixth (+3)This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. |
| Enigma (10/ N5/ S7/ F12/ G4) | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Minor-Sixth (-1)The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π₯° Loving (9)β The Character named to the left loves the Character named above. They find them attractive, wonderful and find themselves thinking about them when they are not there. This might be love at first sight, or just a deep partnership or best friend situation. There is a danger to this state, in that Soul-Stakes are often involved, with Characters placing Devotions upon each other all too easily.Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: 0 Interval: Compound-Perfect Fourth (+4)This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Compound-Major-Seventh (-4)This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Compound-Major-Seventh (-4)This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Compound-Major-Third (+3)This interval is a compound of at least one Octave and The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Compound-Major-Sixth (+3)This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Affectionate (8)β The Character named to the left sees the Character named above affectionately, they may be very good friends, or even lovers. They may have a lot in common, and years of friendship, or this may be a case of opposites attracting and love at first sight.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. |
| Fury (8/ N8/ S7/ F10/ G10) | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: 0 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Affectionate (8)β The Character named to the left sees the Character named above affectionately, they may be very good friends, or even lovers. They may have a lot in common, and years of friendship, or this may be a case of opposites attracting and love at first sight.Applied Modifiers: 0 Interval: Compound-Minor-Third (+1)This interval is a compound of at least one Octave and The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Compound-Major-Sixth (+3)This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Compound-Major-Sixth (+3)This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Affectionate (8)β The Character named to the left sees the Character named above affectionately, they may be very good friends, or even lovers. They may have a lot in common, and years of friendship, or this may be a case of opposites attracting and love at first sight.Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. |
| Gossamer (7/ N3/ S13/ F3/ G7) | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: 0 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: 0 Interval: Compound-Perfect Fourth (+4)This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Compound-Minor-Third (+1)This interval is a compound of at least one Octave and The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Affectionate (8)β The Character named to the left sees the Character named above affectionately, they may be very good friends, or even lovers. They may have a lot in common, and years of friendship, or this may be a case of opposites attracting and love at first sight.Applied Modifiers: 0 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Compound-Tri-tone (-5)This interval is a compound of at least one Octave and The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Compound-Minor-Seventh (-2)This interval is a compound of at least one Octave and The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Compound-Perfect Fifth (+5)This interval is a compound of at least one Octave and The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Compound-Tri-tone (-5)This interval is a compound of at least one Octave and The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Minor-Sixth (-1)The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. |
| Heresy (9/ N8/ S11/ F7/ G5) | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: 0 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. |
| Inertia (1/ N1/ S8/ F11/ G10) | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: 0 Interval: Compound-Perfect Fifth (+5)This interval is a compound of at least one Octave and The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Compound-Major-Seventh (-4)This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π₯° Loving (9)β The Character named to the left loves the Character named above. They find them attractive, wonderful and find themselves thinking about them when they are not there. This might be love at first sight, or just a deep partnership or best friend situation. There is a danger to this state, in that Soul-Stakes are often involved, with Characters placing Devotions upon each other all too easily.Applied Modifiers: 0 Interval: Compound-Major-Sixth (+3)This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π₯° Loving (9)β The Character named to the left loves the Character named above. They find them attractive, wonderful and find themselves thinking about them when they are not there. This might be love at first sight, or just a deep partnership or best friend situation. There is a danger to this state, in that Soul-Stakes are often involved, with Characters placing Devotions upon each other all too easily.Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: 0 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. |
| Jeer (13/ N1/ S10/ F3/ G4) | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: 0 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. |
| Key (8/ N2/ S6/ F2/ G3) | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: 0 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. |
| Liberty (9/ N3/ S7/ F11/ G10) | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: 0 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Compound-Major-Seventh (-4)This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. |
| Miasma (8/ N4/ S3/ F5/ G8) | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π€¬ Hateful (-9)β The Character named to the left really hates the Character named above. They will insult them to their face, and even seek them out to insult and torment. Violence may occur, but it is usually not started by the Character to the left, and often restricted to High Stakes at most.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Affectionate (8)β The Character named to the left sees the Character named above affectionately, they may be very good friends, or even lovers. They may have a lot in common, and years of friendship, or this may be a case of opposites attracting and love at first sight.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. |
| Nature (5/ N5/ S12/ F11/ G12) | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Compound-Perfect Fifth (+5)This interval is a compound of at least one Octave and The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Compound-Major-Seventh (-4)This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Compound-Major-Sixth (+3)This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: 0 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. |
| Orthodox (9/ N7/ S3/ F6/ G6) | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: 0 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Compound-Tri-tone (-5)This interval is a compound of at least one Octave and The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Compound-Perfect Fourth (+4)This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: 0 Interval: Minor-Sixth (-1)The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Compound-Minor-Seventh (-2)This interval is a compound of at least one Octave and The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. |
| Phoenix (12/ N8/ S13/ F8/ G12) | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: 0 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Compound-Major-Third (+3)This interval is a compound of at least one Octave and The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Compound-Major-Seventh (-4)This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Compound-Perfect Fourth (+4)This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: 0 Interval: Compound-Major-Sixth (+3)This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: 0 Interval: Compound-Tri-tone (-5)This interval is a compound of at least one Octave and The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Compound-Perfect Fourth (+4)This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Compound-Major-Seventh (-4)This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. |
| Quiet (8/ N1/ S12/ F5/ G4) | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Compound-Minor-Seventh (-2)This interval is a compound of at least one Octave and The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Minor-Sixth (-1)The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: 0 Interval: Compound-Major-Sixth (+3)This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Minor-Sixth (-1)The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. |
| Rook (9/ N2/ S5/ F4/ G6) | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: 0 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: 0 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. |
| Sin (3/ N6/ S1/ F11/ G6) | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. |
| Trial (11/ N4/ S2/ F9/ G4) | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Compound-Major-Sixth (+3)This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: 0 Interval: Compound-Perfect Fifth (+5)This interval is a compound of at least one Octave and The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: 0 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: 0 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: 0 Interval: Compound-Tri-tone (-5)This interval is a compound of at least one Octave and The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: 0 Interval: Compound-Major-Seventh (-4)This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. |
| Virtue (6/ N6/ S12/ F12/ G6) | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: 0 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. |
| Wyrd (4/ N6/ S1/ F12/ G9) | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Compound-Tri-tone (-5)This interval is a compound of at least one Octave and The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: 0 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: 0 Interval: Compound-Perfect Fourth (+4)This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Minor-Sixth (-1)The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Compound-Minor-Seventh (-2)This interval is a compound of at least one Octave and The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. |
| Yonder (6/ N1/ S13/ F11/ G10) | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Compound-Perfect Fourth (+4)This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Compound-Major-Sixth (+3)This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Minor-Sixth (-1)The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Compound-Minor-Seventh (-2)This interval is a compound of at least one Octave and The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Compound-Major-Seventh (-4)This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Compound-Minor-Seventh (-2)This interval is a compound of at least one Octave and The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. |
| Zeal (7/ N7/ S6/ F10/ G7) | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Affectionate (8)β The Character named to the left sees the Character named above affectionately, they may be very good friends, or even lovers. They may have a lot in common, and years of friendship, or this may be a case of opposites attracting and love at first sight.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: 0 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Compound-Major-Seventh (-4)This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. |
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.TC
Chord Name: Tone Cluster- Craft (8/ N2/ S1/ F7/ G5)
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude. - Trial (11/ N4/ S2/ F9/ G4)
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor. - Orthodox (9/ N7/ S3/ F6/ G6) and Wyrd (4/ N6/ S1/ F12/ G9)
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor. - Enigma (10/ N5/ S7/ F12/ G4)
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor. - Fury (8/ N8/ S7/ F10/ G10)
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past. - hereKey (8/ N2/ S6/ F2/ G3), Miasma (8/ N4/ S3/ F5/ G8), Sin (3/ N6/ S1/ F11/ G6),
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death. - Heresy (9/ N8/ S11/ F7/ G5)
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude. - Liberty (9/ N3/ S7/ F11/ G10) and Zeal (7/ N7/ S6/ F10/ G7)
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind. - Quiet (8/ N1/ S12/ F5/ G4)
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick. - Rook (9/ N2/ S5/ F4/ G6) and Virtue (6/ N6/ S12/ F12/ G6)
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious. - Burden (6/ N2/ S11/ F13/ G11)
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude. - Awe (3/ N1/ S6/ F6/ G10) and Jeer (13/ N1/ S10/ F3/ G4)
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power. - Dominion (7/ N4/ S7/ F9/ G8)
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick. - Yonder (6/ N1/ S13/ F11/ G10)
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious. - Inertia (1/ N1/ S8/ F11/ G10) and Nature (5/ N5/ S12/ F11/ G12)
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor. - Phoenix (12/ N8/ S13/ F8/ G12)
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude. - Gossamer (7/ N3/ S13/ F3/ G7)
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.
Not a true Chord in any recognised sense, but may have a Chord like quality (or may be a complicated Inversion of some actual Chord, or some collection of chords). Stability is rarely guarranteed, unless the mode is particularly stable.This Tone Cluster contains the following intervals
Tri-tone
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context.
Perfect Fifth
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow.
Minor-Sixth
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful.
Minor-Seventh
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love.
Major-Seventh
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness.
Octave
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid.
Minor-Ninth
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos.
Minor-Tenth
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins.
Perfect-Eleventh
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship.
Compound-Octave
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid.
Compound-Major-Second
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Compound-Minor-Third
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.This interval is a compound of at least one Octave and The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows.
Compound-Perfect Fourth
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Compound-Perfect Fifth
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.This interval is a compound of at least one Octave and The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow.
Compound-Octave
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid.
Compound-Minor-Second
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Minor-Second
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Major-Second
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Major-Third
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance.
Perfect Fourth
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Tri-tone
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context.
Perfect Fifth
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow.
Major-Sixth
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime.
Major-Seventh
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness.
Augmented-Eleventh
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death.
Compound-Minor-Sixth
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful.
Compound-Major-Sixth
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime.
Compound-Major-Seventh
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness.
Compound-Minor-Second
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Compound-Tri-tone
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.This interval is a compound of at least one Octave and The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context.
Compound-Perfect Fifth
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.This interval is a compound of at least one Octave and The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow.
Minor-Second
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Minor-Third
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows.
Major-Third
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance.
Perfect Fourth
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Tri-tone
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context.
Minor-Sixth
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful.
Minor-Seventh
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love.
Perfect-Eleventh
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship.
Perfect-Twelfth
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark.
Compound-Minor-Sixth
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful.
Compound-Minor-Seventh
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.This interval is a compound of at least one Octave and The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love.
Compound-Octave
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid.
Compound-Perfect Fourth
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Compound-Tri-tone
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.This interval is a compound of at least one Octave and The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context.
Major-Second
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Minor-Third
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows.
Major-Third
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance.
Perfect Fourth
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Perfect Fifth
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow.
Major-Sixth
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime.
Major Tenth
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter.
Augmented-Eleventh
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death.
Perfect-Twelfth
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark.
Compound-Major-Sixth
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime.
Compound-Major-Seventh
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness.
Compound-Major-Third
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.This interval is a compound of at least one Octave and The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance.
Compound-Perfect Fourth
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Minor-Second
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Major-Second
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Minor-Third
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows.
Perfect Fourth
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Perfect Fifth
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow.
Major-Ninth
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter.
Major Tenth
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter.
Perfect-Eleventh
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship.
Perfect-Twelfth
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark.
Compound-Major-Sixth
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime.
Compound-Major-Second
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Compound-Minor-Third
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.This interval is a compound of at least one Octave and The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows.
Minor-Second
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Major-Second
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Major-Third
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance.
Tri-tone
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context.
Minor-Ninth
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos.
Minor-Tenth
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins.
Major Tenth
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter.
Augmented-Eleventh
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death.
Compound-Minor-Sixth
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful.
Compound-Minor-Second
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Compound-Major-Second
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Minor-Second
βRoot:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Minor-Third
βRoot:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows.
Perfect Fourth
βRoot:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Octave
βRoot:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid.
Major-Ninth
βRoot:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter.
Minor-Tenth
βRoot:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins.
Perfect-Eleventh
βRoot:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship.
Perfect-Twelfth
βRoot:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark.
Compound-Octave
βRoot:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid.
Compound-Minor-Second
βRoot:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Major-Second
βRoot:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.Note:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Major-Third
βRoot:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.Note:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance.
Major-Seventh
βRoot:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.Note:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness.
Minor-Ninth
βRoot:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos.
Major-Ninth
βRoot:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter.
Major Tenth
βRoot:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter.
Augmented-Eleventh
βRoot:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death.
Compound-Major-Seventh
βRoot:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness.
Compound-Octave
βRoot:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid.
Major-Second
βRoot:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Major-Sixth
βRoot:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime.
Major-Seventh
βRoot:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness.
Octave
βRoot:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid.
Major-Ninth
βRoot:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter.
Major Tenth
βRoot:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter.
Compound-Major-Sixth
βRoot:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime.
Compound-Minor-Seventh
βRoot:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.This interval is a compound of at least one Octave and The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love.
Perfect Fifth
βRoot:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.Note:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow.
Major-Sixth
βRoot:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime.
Minor-Seventh
βRoot:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love.
Octave
βRoot:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid.
Major-Ninth
βRoot:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter.
Perfect-Twelfth
βRoot:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark.
Compound-Minor-Sixth
βRoot:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful.
Major-Second
βRoot:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Minor-Third
βRoot:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows.
Perfect Fourth
βRoot:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Perfect Fifth
βRoot:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow.
Octave
βRoot:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid.
Minor-Ninth
βRoot:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos.
Minor-Second
βRoot:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Minor-Third
βRoot:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows.
Perfect Fourth
βRoot:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Minor-Seventh
βRoot:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love.
Major-Seventh
βRoot:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness.
Major-Second
βRoot:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Major-Third
βRoot:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance.
Major-Sixth
βRoot:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime.
Minor-Seventh
βRoot:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love.
Major-Second
βRoot:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Perfect Fifth
βRoot:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow.
Minor-Sixth
βRoot:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful.
Perfect Fourth
βRoot:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Tri-tone
βRoot:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context.
Minor-Second
βRoot:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Chromatic Mode is not really a mode and includes all the tones as part of the scale. This means we use a subset to consider harmonic and dissonant. Chromatic groups are everyone, the complete gamet of the world and its people, the whole multi-cultural society of not just humanity, but sapience across the Omniverse. No one is left out, and everyone is in, unless they choose to separate themselves off into their little bubbles, political parties, and smaller circles, cliques and clubs. Where, metaphorically speaking, they can find more harmony away from the dissonant chaos created by every voice singing their own song at once. Chromatic groups are far and away the most common groups, being sometimes just a tiny subset of every sentience, a few strangers who have no reason to be in the same place at the same time, but are.
To make things more interesting we can add a random number between -5 and 5 to the impression grid (we can also add specific modifiers but they must be specified by an Author). You can see what a difference this can make.
| Names | Awe (3/ N1/ S6/ F6/ G10) | Burden (6/ N2/ S11/ F13/ G11) | Craft (8/ N2/ S1/ F7/ G5) | Dominion (7/ N4/ S7/ F9/ G8) | Enigma (10/ N5/ S7/ F12/ G4) | Fury (8/ N8/ S7/ F10/ G10) | Gossamer (7/ N3/ S13/ F3/ G7) | Heresy (9/ N8/ S11/ F7/ G5) | Inertia (1/ N1/ S8/ F11/ G10) | Jeer (13/ N1/ S10/ F3/ G4) | Key (8/ N2/ S6/ F2/ G3) | Liberty (9/ N3/ S7/ F11/ G10) | Miasma (8/ N4/ S3/ F5/ G8) | Nature (5/ N5/ S12/ F11/ G12) | Orthodox (9/ N7/ S3/ F6/ G6) | Phoenix (12/ N8/ S13/ F8/ G12) | Quiet (8/ N1/ S12/ F5/ G4) | Rook (9/ N2/ S5/ F4/ G6) | Sin (3/ N6/ S1/ F11/ G6) | Trial (11/ N4/ S2/ F9/ G4) | Virtue (6/ N6/ S12/ F12/ G6) | Wyrd (4/ N6/ S1/ F12/ G9) | Yonder (6/ N1/ S13/ F11/ G10) | Zeal (7/ N7/ S6/ F10/ G7) |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Awe (3/ N1/ S6/ F6/ G10) | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: +2 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: -2 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: +1 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: +1 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +1 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: -5 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +5 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: -1 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: +4 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +5 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +2 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -3 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: -3 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +2 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -3 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: -1 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: -1 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +2 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: -4 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. |
| Burden (6/ N2/ S11/ F13/ G11) | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: -1 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: -5 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π₯° Loving (9)β The Character named to the left loves the Character named above. They find them attractive, wonderful and find themselves thinking about them when they are not there. This might be love at first sight, or just a deep partnership or best friend situation. There is a danger to this state, in that Soul-Stakes are often involved, with Characters placing Devotions upon each other all too easily.Applied Modifiers: +5 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +1 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -4 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: +2 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: +1 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: -3 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: +2 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: +1 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: +1 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: -1 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: -3 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π₯° Loving (9)β The Character named to the left loves the Character named above. They find them attractive, wonderful and find themselves thinking about them when they are not there. This might be love at first sight, or just a deep partnership or best friend situation. There is a danger to this state, in that Soul-Stakes are often involved, with Characters placing Devotions upon each other all too easily.Applied Modifiers: +5 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: +4 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +1 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: -3 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: +4 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +2 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: +4 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. |
| Craft (8/ N2/ S1/ F7/ G5) | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: -4 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π₯° Loving (9)β The Character named to the left loves the Character named above. They find them attractive, wonderful and find themselves thinking about them when they are not there. This might be love at first sight, or just a deep partnership or best friend situation. There is a danger to this state, in that Soul-Stakes are often involved, with Characters placing Devotions upon each other all too easily.Applied Modifiers: +5 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: +1 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -5 Interval: Compound-Minor-Third (+1)This interval is a compound of at least one Octave and The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: -5 Interval: Minor-Sixth (-1)The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: +2 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: +4 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: -5 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: -1 Interval: Compound-Perfect Fifth (+5)This interval is a compound of at least one Octave and The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -3 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: +2 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -3 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +5 Interval: Compound-Perfect Fifth (+5)This interval is a compound of at least one Octave and The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Affectionate (8)β The Character named to the left sees the Character named above affectionately, they may be very good friends, or even lovers. They may have a lot in common, and years of friendship, or this may be a case of opposites attracting and love at first sight.Applied Modifiers: +4 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +5 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -4 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +4 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: -3 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π€¬ Hateful (-9)β The Character named to the left really hates the Character named above. They will insult them to their face, and even seek them out to insult and torment. Violence may occur, but it is usually not started by the Character to the left, and often restricted to High Stakes at most.Applied Modifiers: -3 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: +4 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +3 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +4 Interval: Compound-Perfect Fourth (+4)This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: +5 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. |
| Dominion (7/ N4/ S7/ F9/ G8) | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -2 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: +3 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: -4 Interval: Compound-Minor-Third (+1)This interval is a compound of at least one Octave and The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: -4 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: +2 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: -3 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -5 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +5 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: 0 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: +2 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: -2 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -3 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +1 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: +1 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -1 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: -1 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: -2 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: +2 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: -5 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: +2 Interval: Compound-Major-Sixth (+3)This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -3 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: -1 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. |
| Enigma (10/ N5/ S7/ F12/ G4) | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: +1 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -3 Interval: Minor-Sixth (-1)The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: -2 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -4 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -5 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: -3 Interval: Compound-Perfect Fourth (+4)This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: -1 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -2 Interval: Compound-Major-Seventh (-4)This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: -3 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -4 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: +1 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: +3 Interval: Compound-Major-Seventh (-4)This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: +5 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: -2 Interval: Compound-Major-Third (+3)This interval is a compound of at least one Octave and The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: -3 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: -1 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +3 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: -1 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +3 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: -1 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Compound-Major-Sixth (+3)This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: -2 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. |
| Fury (8/ N8/ S7/ F10/ G10) | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: +2 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: -2 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: +5 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +1 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +5 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -1 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +2 Interval: Compound-Minor-Third (+1)This interval is a compound of at least one Octave and The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: -4 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: -2 Interval: Compound-Major-Sixth (+3)This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: -1 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: +3 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: +3 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: -2 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: +4 Interval: Compound-Major-Sixth (+3)This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +3 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: +1 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +4 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +3 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: +3 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: -4 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: -2 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: -3 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: -3 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +3 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. |
| Gossamer (7/ N3/ S13/ F3/ G7) | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: -5 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: +2 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -4 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π₯° Loving (9)β The Character named to the left loves the Character named above. They find them attractive, wonderful and find themselves thinking about them when they are not there. This might be love at first sight, or just a deep partnership or best friend situation. There is a danger to this state, in that Soul-Stakes are often involved, with Characters placing Devotions upon each other all too easily.Applied Modifiers: +2 Interval: Compound-Perfect Fourth (+4)This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +4 Interval: Compound-Minor-Third (+1)This interval is a compound of at least one Octave and The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +2 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: 0 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: -4 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -4 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: -4 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: -3 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: 0 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: +2 Interval: Compound-Tri-tone (-5)This interval is a compound of at least one Octave and The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: +5 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -3 Interval: Compound-Minor-Seventh (-2)This interval is a compound of at least one Octave and The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +5 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -4 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: -5 Interval: Compound-Perfect Fifth (+5)This interval is a compound of at least one Octave and The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -3 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: +4 Interval: Compound-Tri-tone (-5)This interval is a compound of at least one Octave and The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -4 Interval: Minor-Sixth (-1)The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: +2 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. |
| Heresy (9/ N8/ S11/ F7/ G5) | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +5 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +1 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: -5 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: -2 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +2 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: -3 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: +1 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: -3 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: -4 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -2 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -1 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: -3 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π₯° Loving (9)β The Character named to the left loves the Character named above. They find them attractive, wonderful and find themselves thinking about them when they are not there. This might be love at first sight, or just a deep partnership or best friend situation. There is a danger to this state, in that Soul-Stakes are often involved, with Characters placing Devotions upon each other all too easily.Applied Modifiers: +4 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: -1 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +5 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: +1 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -2 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -4 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: -3 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: +4 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: -5 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. |
| Inertia (1/ N1/ S8/ F11/ G10) | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +1 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: -4 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +4 Interval: Compound-Perfect Fifth (+5)This interval is a compound of at least one Octave and The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: +1 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: +5 Interval: Compound-Major-Seventh (-4)This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +3 Interval: Compound-Major-Sixth (+3)This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: +5 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +5 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: +2 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +1 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π₯° Loving (9)β The Character named to the left loves the Character named above. They find them attractive, wonderful and find themselves thinking about them when they are not there. This might be love at first sight, or just a deep partnership or best friend situation. There is a danger to this state, in that Soul-Stakes are often involved, with Characters placing Devotions upon each other all too easily.Applied Modifiers: +4 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: -5 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: -3 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: -4 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: -3 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: +4 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: +4 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +5 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: -2 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: +1 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. |
| Jeer (13/ N1/ S10/ F3/ G4) | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: +3 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: +1 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -4 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: -3 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: -3 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +5 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: +3 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: +4 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: -5 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: +1 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +2 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: +1 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: +4 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: -4 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: -2 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: -1 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: -5 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: -3 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -2 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: +5 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π₯° Loving (9)β The Character named to the left loves the Character named above. They find them attractive, wonderful and find themselves thinking about them when they are not there. This might be love at first sight, or just a deep partnership or best friend situation. There is a danger to this state, in that Soul-Stakes are often involved, with Characters placing Devotions upon each other all too easily.Applied Modifiers: +5 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: -3 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: +2 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. |
| Key (8/ N2/ S6/ F2/ G3) | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: +5 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: -2 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: +4 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +3 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -5 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π€¬ Hateful (-9)β The Character named to the left really hates the Character named above. They will insult them to their face, and even seek them out to insult and torment. Violence may occur, but it is usually not started by the Character to the left, and often restricted to High Stakes at most.Applied Modifiers: -3 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -3 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +4 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: -3 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: +3 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: +3 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -4 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -2 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: +4 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: +4 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: +1 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: +3 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: +4 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: -3 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: +5 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +3 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: +3 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. |
| Liberty (9/ N3/ S7/ F11/ G10) | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +4 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: +1 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: +3 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +3 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +2 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -2 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: 0 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -3 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: -4 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: +2 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -3 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +3 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: +1 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: -5 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -1 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -1 Interval: Compound-Major-Seventh (-4)This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -3 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +3 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: +5 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π₯° Loving (9)β The Character named to the left loves the Character named above. They find them attractive, wonderful and find themselves thinking about them when they are not there. This might be love at first sight, or just a deep partnership or best friend situation. There is a danger to this state, in that Soul-Stakes are often involved, with Characters placing Devotions upon each other all too easily.Applied Modifiers: +5 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: -5 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: +4 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +5 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +3 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. |
| Miasma (8/ N4/ S3/ F5/ G8) | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: +1 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: +1 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: -1 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: -4 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: +3 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: -3 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: -3 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: +3 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -3 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: +2 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: -3 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: 0 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -2 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: +2 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: -2 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: -4 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: -4 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: -2 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: -1 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: +2 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: +4 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -3 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. |
| Nature (5/ N5/ S12/ F11/ G12) | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: -2 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: -5 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +1 Interval: Compound-Perfect Fifth (+5)This interval is a compound of at least one Octave and The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: -2 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: -3 Interval: Compound-Major-Seventh (-4)This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: +1 Interval: Compound-Major-Sixth (+3)This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: +3 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: -4 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: +1 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -3 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: -5 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +5 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -4 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Affectionate (8)β The Character named to the left sees the Character named above affectionately, they may be very good friends, or even lovers. They may have a lot in common, and years of friendship, or this may be a case of opposites attracting and love at first sight.Applied Modifiers: +2 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Affectionate (8)β The Character named to the left sees the Character named above affectionately, they may be very good friends, or even lovers. They may have a lot in common, and years of friendship, or this may be a case of opposites attracting and love at first sight.Applied Modifiers: -2 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -5 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +5 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +5 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: -5 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -4 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: +5 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: +3 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. |
| Orthodox (9/ N7/ S3/ F6/ G6) | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +2 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Affectionate (8)β The Character named to the left sees the Character named above affectionately, they may be very good friends, or even lovers. They may have a lot in common, and years of friendship, or this may be a case of opposites attracting and love at first sight.Applied Modifiers: +1 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +1 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: +2 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: -5 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: 0 Interval: Compound-Tri-tone (-5)This interval is a compound of at least one Octave and The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +2 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: +2 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: +1 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +3 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: -3 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -2 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: -2 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: -5 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +2 Interval: Compound-Perfect Fourth (+4)This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π€¬ Hateful (-9)β The Character named to the left really hates the Character named above. They will insult them to their face, and even seek them out to insult and torment. Violence may occur, but it is usually not started by the Character to the left, and often restricted to High Stakes at most.Applied Modifiers: -3 Interval: Minor-Sixth (-1)The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: +5 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +4 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: +5 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: +4 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: +3 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +1 Interval: Compound-Minor-Seventh (-2)This interval is a compound of at least one Octave and The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: +1 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. |
| Phoenix (12/ N8/ S13/ F8/ G12) | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: +1 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +1 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +5 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: -1 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -1 Interval: Compound-Major-Third (+3)This interval is a compound of at least one Octave and The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +2 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: +3 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: -5 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +2 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: +2 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: -5 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π€¬ Hateful (-9)β The Character named to the left really hates the Character named above. They will insult them to their face, and even seek them out to insult and torment. Violence may occur, but it is usually not started by the Character to the left, and often restricted to High Stakes at most.Applied Modifiers: -4 Interval: Compound-Major-Seventh (-4)This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -2 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: -5 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -5 Interval: Compound-Perfect Fourth (+4)This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: -3 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +4 Interval: Compound-Major-Sixth (+3)This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: +2 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: +3 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: +4 Interval: Compound-Tri-tone (-5)This interval is a compound of at least one Octave and The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: -3 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +2 Interval: Compound-Perfect Fourth (+4)This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: -1 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: +5 Interval: Compound-Major-Seventh (-4)This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. |
| Quiet (8/ N1/ S12/ F5/ G4) | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: +5 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +3 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -5 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: 0 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -3 Interval: Compound-Minor-Seventh (-2)This interval is a compound of at least one Octave and The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: -1 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: -1 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: +2 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Affectionate (8)β The Character named to the left sees the Character named above affectionately, they may be very good friends, or even lovers. They may have a lot in common, and years of friendship, or this may be a case of opposites attracting and love at first sight.Applied Modifiers: +5 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: +4 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +3 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: +1 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +3 Interval: Minor-Sixth (-1)The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +4 Interval: Compound-Major-Sixth (+3)This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +5 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: 0 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: -3 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: +4 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: -3 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: 0 Interval: Minor-Sixth (-1)The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: +2 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: +2 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. |
| Rook (9/ N2/ S5/ F4/ G6) | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: -5 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +5 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +3 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: +1 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: -5 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π₯° Loving (9)β The Character named to the left loves the Character named above. They find them attractive, wonderful and find themselves thinking about them when they are not there. This might be love at first sight, or just a deep partnership or best friend situation. There is a danger to this state, in that Soul-Stakes are often involved, with Characters placing Devotions upon each other all too easily.Applied Modifiers: +5 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +3 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: -3 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -2 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +5 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: -2 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: -3 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: +2 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +5 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +2 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: -5 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -2 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: -3 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: +2 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: 0 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -4 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: -5 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +5 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +5 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. |
| Sin (3/ N6/ S1/ F11/ G6) | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: -2 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: -2 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: -5 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +3 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: +1 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: +1 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +3 Interval: Compound-Major-Second (-2)This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: -3 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: -3 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -3 Interval: Minor-Tenth (-2)The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: -1 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: +2 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: -3 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -5 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: -3 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -2 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: -4 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: +4 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +1 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -3 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: -5 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π€¬ Hateful (-9)β The Character named to the left really hates the Character named above. They will insult them to their face, and even seek them out to insult and torment. Violence may occur, but it is usually not started by the Character to the left, and often restricted to High Stakes at most.Applied Modifiers: -4 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: +4 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. |
| Trial (11/ N4/ S2/ F9/ G4) | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: +1 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: +3 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: -4 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +3 Interval: Compound-Major-Sixth (+3)This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: -3 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -4 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: -3 Interval: Compound-Perfect Fifth (+5)This interval is a compound of at least one Octave and The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -2 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π€¬ Hateful (-9)β The Character named to the left really hates the Character named above. They will insult them to their face, and even seek them out to insult and torment. Violence may occur, but it is usually not started by the Character to the left, and often restricted to High Stakes at most.Applied Modifiers: -2 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: +4 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: +3 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: -4 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: -2 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: -4 Interval: Compound-Minor-Second (-4)This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +5 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: -5 Interval: Compound-Tri-tone (-5)This interval is a compound of at least one Octave and The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: +4 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -1 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: -3 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: -5 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: +1 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: +1 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π€¬ Hateful (-9)β The Character named to the left really hates the Character named above. They will insult them to their face, and even seek them out to insult and torment. Violence may occur, but it is usually not started by the Character to the left, and often restricted to High Stakes at most.Applied Modifiers: -2 Interval: Compound-Major-Seventh (-4)This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +1 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. |
| Virtue (6/ N6/ S12/ F12/ G6) | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: -4 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +4 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +5 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: -4 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +5 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: +4 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: +4 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: -2 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -3 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -4 Interval: Major-Sixth (+3)The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: -4 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +1 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: -1 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: -1 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: +3 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +1 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: -3 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: +4 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +5 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: +5 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -4 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: -3 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: -5 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: -2 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. |
| Wyrd (4/ N6/ S1/ F12/ G9) | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +3 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +4 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Dislike (-4)β The Character named to the left disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, avoiding them at parties, but not avoiding the party.Applied Modifiers: -3 Interval: Compound-Minor-Sixth (-1)This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +5 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: -3 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: -5 Interval: Compound-Tri-tone (-5)This interval is a compound of at least one Octave and The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +5 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +2 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: -4 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: +3 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: +3 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: -2 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +1 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -3 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Kinship (10)β The Character named to the left holds the Character named above in the highest regard possible, at the same emotional status as only the most loved family. This is sometimes the case with friends, usually the case with lovers and often the case with close personal family, such as siblings. There are often Soul-Stakes involved in interactions between these Characters.Applied Modifiers: +4 Interval: Compound-Perfect Fourth (+4)This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: +3 Interval: Minor-Sixth (-1)The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -1 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: +2 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π€¬ Hateful (-9)β The Character named to the left really hates the Character named above. They will insult them to their face, and even seek them out to insult and torment. Violence may occur, but it is usually not started by the Character to the left, and often restricted to High Stakes at most.Applied Modifiers: -4 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -3 Interval: Minor-Seventh (-2)The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: -5 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: -2 Interval: Compound-Minor-Seventh (-2)This interval is a compound of at least one Octave and The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: +4 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. |
| Yonder (6/ N1/ S13/ F11/ G10) | π Affectionate (8)β The Character named to the left sees the Character named above affectionately, they may be very good friends, or even lovers. They may have a lot in common, and years of friendship, or this may be a case of opposites attracting and love at first sight.Applied Modifiers: +3 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -5 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: -2 Interval: Compound-Perfect Fourth (+4)This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: +5 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: +2 Interval: Compound-Major-Sixth (+3)This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: -1 Interval: Perfect-Twelfth (+3)The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: +2 Interval: Minor-Sixth (-1)The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: 0 Interval: Perfect-Eleventh (+5)The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship. | π¬ Polite (1)β The Character named to the left has a vaguely positive impression of the Character named above, and thinks of them as a reasonable person, worthy of having a chat with. They may even become firm acquaintances, in time, although probably not good friends.Applied Modifiers: +1 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: -1 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: +5 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -4 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π€¬ Hateful (-9)β The Character named to the left really hates the Character named above. They will insult them to their face, and even seek them out to insult and torment. Violence may occur, but it is usually not started by the Character to the left, and often restricted to High Stakes at most.Applied Modifiers: -4 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: -4 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: +2 Interval: Compound-Minor-Seventh (-2)This interval is a compound of at least one Octave and The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Affectionate (8)β The Character named to the left sees the Character named above affectionately, they may be very good friends, or even lovers. They may have a lot in common, and years of friendship, or this may be a case of opposites attracting and love at first sight.Applied Modifiers: +4 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π€ Distrust (-3)β The Character named to the left does not really trust the Character above, but may not be able to put their finger on exactly why. They will avoid their company when possible without appearing rude, but can appear cordial in social settings.Applied Modifiers: -3 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: -1 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: -2 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: +4 Interval: Compound-Major-Seventh (-4)This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: +2 Interval: Octave (+5)A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π€¨ Cautious (-1)β The Character named to the left does not have a very high opinion of the Character named above, that they will usually explain as them just not getting on, but there are always some other reasons. They probably don't share their negative opinion without prompting, and will always qualify their suspicions. They won't go out of their way to avoid them and will still engage socially.Applied Modifiers: +1 Interval: Compound-Minor-Seventh (-2)This interval is a compound of at least one Octave and The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -5 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Warm (5)β The Character named to the left has a good opinion of the person named above, they think of them warmly and are quite trusting of them.Applied Modifiers: 0 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. |
| Zeal (7/ N7/ S6/ F10/ G7) | πΏ Violent (-10)β The Character named to the left has a terrible opinion of the Character at the top of this column. It is actually a bit scary how much they hate them, with even the sight of them often leading to violent outbursts. Worse still, they may even feel drawn to hunt down the Character above, to kill or maim them with Extreme / Soul / Paradoxical Stake Attacks.Applied Modifiers: -3 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: -2 Interval: Major-Seventh (-4)The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π€¬ Hateful (-9)β The Character named to the left really hates the Character named above. They will insult them to their face, and even seek them out to insult and torment. Violence may occur, but it is usually not started by the Character to the left, and often restricted to High Stakes at most.Applied Modifiers: -5 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: +4 Interval: Major-Ninth (-1)The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter. | π₯° Loving (9)β The Character named to the left loves the Character named above. They find them attractive, wonderful and find themselves thinking about them when they are not there. This might be love at first sight, or just a deep partnership or best friend situation. There is a danger to this state, in that Soul-Stakes are often involved, with Characters placing Devotions upon each other all too easily.Applied Modifiers: +1 Interval: Perfect Fourth (+4)The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: -2 Interval: Minor-Third (+1)The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows. | π Neutral (0)β The Character named to the left has no real opinions about the Character named above. They would not ignore them, but have never really interacted beyond simple conversations.Applied Modifiers: -5 Interval: Compound-Octave (+5)This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid. | π‘ Hostile (-8)β The Character named to the left is hostile to the Character named above. They will insult them to their face, but probably prefer to keep it behind their back, and generally do their best to avoid them.Applied Modifiers: -1 Interval: Minor-Second (-4)The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: +2 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: +5 Interval: Minor-Ninth (-3)The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos. | π Positive (3)β The Character named to the left has a positive impression of the Character named above, their is likely additional interest above cordial conversation, joking, intense conversations, and flirtation are all possible.Applied Modifiers: +4 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Sincere (6)β The Character named to the left sincerely approves of the Character named above, they generally agree with each other on a number of subjects, share a few proficiencies, and have often known one another for most of their lives. They are usually trusting and neighbourly at least.Applied Modifiers: +4 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. | π Cordial (2)β The Character named to the left has a generally positive impression of the Character named above, they are likely to be casual friends, share some interests, and have mutual friends (who they are often closer to).Applied Modifiers: +3 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: +2 Interval: Augmented-Eleventh (-6)The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: 0 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -1 Interval: Compound-Major-Seventh (-4)This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness. | π Avoid (-6)β The Character named to the left completely avoids the Character named above. They prefer not to mix with them if possible, they tend to avoid attend functions or events they suspect the Character above will be at, and may quietly and quickly leave if they spot them.Applied Modifiers: -5 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π Suspicious (-2)β The Character named to the left is suspicious of the Character above, often without any real reason. They will often ask a lot of questions, and may not be satidified with even reasonable sounding answers.Applied Modifiers: -4 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Disapprove (-5)β The Character named to the left strongly disapproves of the Character named above. They are often directly critical of them and their opinions. They will generally avoid their company as long as they will not appear too rude, they may find excuses to not attend functions they know the Character above will attend.Applied Modifiers: +2 Interval: Major-Second (-2)The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously. | π₯° Loving (9)β The Character named to the left loves the Character named above. They find them attractive, wonderful and find themselves thinking about them when they are not there. This might be love at first sight, or just a deep partnership or best friend situation. There is a danger to this state, in that Soul-Stakes are often involved, with Characters placing Devotions upon each other all too easily.Applied Modifiers: +5 Interval: Perfect Fifth (+5)The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow. | π Affectionate (8)β The Character named to the left sees the Character named above affectionately, they may be very good friends, or even lovers. They may have a lot in common, and years of friendship, or this may be a case of opposites attracting and love at first sight.Applied Modifiers: -2 Interval: Major-Third (+3)The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance. | π Aversion (-7)β The Character named to the left really doesn't like the Character named above. They might keep this opinion to themselves mostly, but will occasionally be driven to comments. They will leave any event, location or situation, although not always quietly, rather than be around them.Applied Modifiers: -1 Interval: Tri-tone (-5)The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context. | π Trusting (7)β The Character named to the left trusts the Character named above, they generally agree with each other on a number of subjects and probably share more than a few proficiencies. Characters may be completely intimate with each other, sharing all casual and some deep secrets with each other.Applied Modifiers: -3 Interval: Major Tenth (+3)The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter. | π Like (4)β The Character named to the left likes the Character named above, they have a good opinion of them and will go out of their way to stop and chat with them when they meet. They are probably friends, may be intimate, and may share secrets.Applied Modifiers: +2 Interval: Unison (+1)Unison is the same note twice, as such it has no harmonics or dissonance, which gives it no power, and no emotional content. The relationship has a smoothness and peace to it, but has will and insistence too. |
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.TC
Chord Name: Tone Cluster- Craft (8/ N2/ S1/ F7/ G5)
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude. - Trial (11/ N4/ S2/ F9/ G4)
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor. - Orthodox (9/ N7/ S3/ F6/ G6) and Wyrd (4/ N6/ S1/ F12/ G9)
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor. - Enigma (10/ N5/ S7/ F12/ G4)
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor. - Fury (8/ N8/ S7/ F10/ G10)
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past. - hereKey (8/ N2/ S6/ F2/ G3), Miasma (8/ N4/ S3/ F5/ G8), Sin (3/ N6/ S1/ F11/ G6),
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death. - Heresy (9/ N8/ S11/ F7/ G5)
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude. - Liberty (9/ N3/ S7/ F11/ G10) and Zeal (7/ N7/ S6/ F10/ G7)
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind. - Quiet (8/ N1/ S12/ F5/ G4)
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick. - Rook (9/ N2/ S5/ F4/ G6) and Virtue (6/ N6/ S12/ F12/ G6)
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious. - Burden (6/ N2/ S11/ F13/ G11)
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude. - Awe (3/ N1/ S6/ F6/ G10) and Jeer (13/ N1/ S10/ F3/ G4)
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power. - Dominion (7/ N4/ S7/ F9/ G8)
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick. - Yonder (6/ N1/ S13/ F11/ G10)
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious. - Inertia (1/ N1/ S8/ F11/ G10) and Nature (5/ N5/ S12/ F11/ G12)
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor. - Phoenix (12/ N8/ S13/ F8/ G12)
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude. - Gossamer (7/ N3/ S13/ F3/ G7)
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.
Not a true Chord in any recognised sense, but may have a Chord like quality (or may be a complicated Inversion of some actual Chord, or some collection of chords). Stability is rarely guarranteed, unless the mode is particularly stable.This Tone Cluster contains the following intervals
Tri-tone
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context.
Perfect Fifth
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow.
Minor-Sixth
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful.
Minor-Seventh
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love.
Major-Seventh
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness.
Octave
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid.
Minor-Ninth
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos.
Minor-Tenth
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins.
Perfect-Eleventh
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship.
Compound-Octave
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid.
Compound-Major-Second
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Compound-Minor-Third
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.This interval is a compound of at least one Octave and The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows.
Compound-Perfect Fourth
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Compound-Perfect Fifth
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.This interval is a compound of at least one Octave and The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow.
Compound-Octave
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid.
Compound-Minor-Second
βRoot:
Key:A 3
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 220 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Minor-Second
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Major-Second
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Major-Third
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance.
Perfect Fourth
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Tri-tone
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context.
Perfect Fifth
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow.
Major-Sixth
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime.
Major-Seventh
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness.
Augmented-Eleventh
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death.
Compound-Minor-Sixth
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful.
Compound-Major-Sixth
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime.
Compound-Major-Seventh
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness.
Compound-Minor-Second
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Compound-Tri-tone
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.This interval is a compound of at least one Octave and The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context.
Compound-Perfect Fifth
βRoot:
Key:D♯ 4
Alternate Name: E♭
Sharps and Flats: 0♯ & 3♭
Syllable: Ri/Ma
Associated Colour: Flesh
Frequency: 311.12 Hz.
A key of intimacy, delicate, devotional, it has an air of prayer to it, although it can feel cruel and hard too, and can turn haunting, brooding, plaintive, feminine, or despairing as it shifts from Major to Minor.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.This interval is a compound of at least one Octave and The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow.
Minor-Second
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Minor-Third
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows.
Major-Third
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance.
Perfect Fourth
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Tri-tone
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context.
Minor-Sixth
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful.
Minor-Seventh
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love.
Perfect-Eleventh
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship.
Perfect-Twelfth
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark.
Compound-Minor-Sixth
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful.
Compound-Minor-Seventh
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.This interval is a compound of at least one Octave and The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love.
Compound-Octave
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid.
Compound-Perfect Fourth
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Compound-Tri-tone
βRoot:
Key:E 4
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 329.62 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.This interval is a compound of at least one Octave and The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context.
Major-Second
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Minor-Third
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows.
Major-Third
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance.
Perfect Fourth
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Perfect Fifth
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow.
Major-Sixth
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime.
Major Tenth
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter.
Augmented-Eleventh
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death.
Perfect-Twelfth
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark.
Compound-Major-Sixth
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime.
Compound-Major-Seventh
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness.
Compound-Major-Third
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.This interval is a compound of at least one Octave and The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance.
Compound-Perfect Fourth
βRoot:
Key:F 4
Alternate Name: E♯
Sharps and Flats: 0♯ & 1♭
Syllable: Fa
Associated Colour: Deep-Red
Frequency: 349.22 Hz.
A key of compliance, calm and acceptance in Major, that becomes depressive, even funereal, and miserable in Minor.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.This interval is a compound of at least one Octave and The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Minor-Second
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Major-Second
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Minor-Third
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows.
Perfect Fourth
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Perfect Fifth
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow.
Major-Ninth
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter.
Major Tenth
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter.
Perfect-Eleventh
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship.
Perfect-Twelfth
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark.
Compound-Major-Sixth
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime.
Compound-Major-Second
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Compound-Minor-Third
βRoot:
Key:G 4
Alternate Name: G
Sharps and Flats: 1♯ & 0♭
Syllable: Sol/So
Associated Colour: Orange
Frequency: 392 Hz.
A key of peaceful, gentle emotion, in Major, it can even achieve an idyllic, buccolic quality, like a faithful friend, but in Minor it becomes uneasy, resentful, discontented, and dwells in the past.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.This interval is a compound of at least one Octave and The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows.
Minor-Second
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Major-Second
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Major-Third
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance.
Tri-tone
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context.
Minor-Ninth
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos.
Minor-Tenth
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins.
Major Tenth
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter.
Augmented-Eleventh
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death.
Compound-Minor-Sixth
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful.
Compound-Minor-Second
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Compound-Major-Second
βRoot:
Key:G♯ 4
Alternate Name: A♭
Sharps and Flats: 0♯ & 4♭
Syllable: Si/Lo
Associated Colour: Magenta
Frequency: 415.3 Hz.
The key of eternity, it sits in judgement, inevitable and as grave as death, even in Major. In Minor it becomes a complaint, a struggle with difficulty, that squeezes the heart to death.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.This interval is a compound of at least one Octave and The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Minor-Second
βRoot:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Minor-Third
βRoot:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows.
Perfect Fourth
βRoot:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Octave
βRoot:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid.
Major-Ninth
βRoot:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter.
Minor-Tenth
βRoot:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Minor Tenth or more often Augmented-Ninth is perhaps the saddest of the Ninths, as a hint of consonance joins the dissonance. It is darkness wrapped in tears, and adds a sorrow to any group it joins.
Perfect-Eleventh
βRoot:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Perfect Eleventh is a Perfect Fourth an Octave apart. Which raises the energy of the Fourth creating a more positive and emotional feeling to the relationship.
Perfect-Twelfth
βRoot:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark.
Compound-Octave
βRoot:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid.
Compound-Minor-Second
βRoot:
Key:A 4
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 440 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.This interval is a compound of at least one Octave and The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Major-Second
βRoot:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.Note:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Major-Third
βRoot:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.Note:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance.
Major-Seventh
βRoot:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.Note:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness.
Minor-Ninth
βRoot:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos.
Major-Ninth
βRoot:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter.
Major Tenth
βRoot:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter.
Augmented-Eleventh
βRoot:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.The Augmented Eleventh or Diminished Twelfth is a Tritone and an Octave apart. This raises the dissonance and creates a more troubled and dangerous relationship that includes threats of abuse and death.
Compound-Major-Seventh
βRoot:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.This interval is a compound of at least one Octave and The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness.
Compound-Octave
βRoot:
Key:A♯ 4
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 466.16 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.This interval is a compound of at least one Octave and A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid.
Major-Second
βRoot:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Major-Sixth
βRoot:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime.
Major-Seventh
βRoot:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness.
Octave
βRoot:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid.
Major-Ninth
βRoot:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter.
Major Tenth
βRoot:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.The Major Tenth or Diminished Eleventh has a strong relationship with the Major Third with additional brightness. This is the interval of a joyous, harmonious, relationship filled with laughter.
Compound-Major-Sixth
βRoot:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.This interval is a compound of at least one Octave and The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime.
Compound-Minor-Seventh
βRoot:
Key:C 4
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 261.62 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.This interval is a compound of at least one Octave and The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love.
Perfect Fifth
βRoot:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.Note:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow.
Major-Sixth
βRoot:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime.
Minor-Seventh
βRoot:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love.
Octave
βRoot:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid.
Major-Ninth
βRoot:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.The Major Ninth brings a dissonance that adds spice to the relationship. This is the not quite harmony of a brass band, it can feel slick and bitter.
Perfect-Twelfth
βRoot:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Perfect Twelfth is a Perfect Fifth above the Octave and carries a stability and bright consonance, that sadly is less stable than the Perfect Fifth. Unlike the Fifth the these relationships are weaker, while still cheerful, open and light, and as such can feel superficial, hollow and stark.
Compound-Minor-Sixth
βRoot:
Key:D 5
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 440.49 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.This interval is a compound of at least one Octave and The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful.
Major-Second
βRoot:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Minor-Third
βRoot:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows.
Perfect Fourth
βRoot:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Perfect Fifth
βRoot:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow.
Octave
βRoot:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.A whole Octave separates these notes and this brings perfect consonance. The relationship is generally an easy, stable one, but it is not without energy and strength, in fact the Octave relationship can be too intense, too strong, a majesty that becomes solemn or even severe sometimes. It is courageous and heroic while being stable and solid.
Minor-Ninth
βRoot:
Key:A 5
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 660 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Minor-Ninth is marked by an interval of an Octave plus a semitone. This is a relationship with sadness and just a hint of chaos.
Minor-Second
βRoot:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.Note:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Minor-Third
βRoot:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Minor-Third is a difference of three semi-tones, and brings a tragic dissonance with a sad harmony. This is a deeply emotional and sometimes tragic relationship, perhaps painful at times, but still sweet. It is a lament of discouraging sadness wrapped in heavy shadows.
Perfect Fourth
βRoot:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Minor-Seventh
βRoot:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love.
Major-Seventh
βRoot:
Key:B 5
Alternate Name: C♭
Sharps and Flats: 5♯ & 7♭
Syllable: Ti/Si
Associated Colour: Blue
Frequency: 740.82 Hz.
A key of wild passions and jarringly coloured emotions in Major, but in Minor this becomes the key of patience, submission to another will and utter devotion to a higher power.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Major-Seventh is an eleven semi-tone interval (or one semi-tone down from the octave). It is a bitter, tense relationship, often gloomy, wicked, and prideful and generable disagreeable, but it can be marked by some optimism, pride, hope and rebellion that lends it brightness.
Major-Second
βRoot:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Major-Third
βRoot:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.The Major-Third is a difference of two tones, and this brings a rich harmonic strength. This is usually a bright, joyful relationship, full of positive energy and laughter, but that same energy and strength cannot become furious, quite due to the inherent hope and balance.
Major-Sixth
βRoot:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Major-Sixth and its nine semi-tone interval brings tension as the relationship wants to resolve to Perfection, but cannot. There is a sweetness to the relationship, but no stability, it is a radiant will-they won’t-they situation that can satisfy in the short term, but lacking true stability may fly apart at anytime.
Minor-Seventh
βRoot:
Key:C 5
Alternate Name: B♯
Sharps and Flats: 0♯ & 0♭
Syllable: Do
Associated Colour: Red
Frequency: 392.43 Hz.
A pure key of innocence, naive courage and simple, triumphant strength when Major. When Minor it becomes languishing, longing, obscure, sad and love-sick.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Minor-Seventh is marked by the five whole tones of interval. This is a sad, painful, and unsatisfying relationship, but that has warmth, romance and love. Such relationships may leave both partners bewildered, strained and stressed when they are over, but while they are happening it is just a dynamic exaltation of love.
Major-Second
βRoot:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.Note:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.The Major-Second is a difference of a whole tone. This relationship is dissonant, a pain-filled torment, but has hints of stability, which gives it tension β a sense of longing and eagerness. This is the sensation of asking a question and waiting for an answer, there is a sense of motion and vulgarity to this. It is a wish and a displeasure simultaneously.
Perfect Fifth
βRoot:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Perfect Fifth, stretches over seven semi-tones and is the epitome of opposites attracting, hence the Perfect in the name. The relationship is completely stable, healthy, and pleasurable, it is not prone to any fights or internally caused sadness, as it is internally cheerful, gentle and bright. Loving, certain and calm, it is the essence of balance, but can feel hollow.
Minor-Sixth
βRoot:
Key:D 6
Alternate Name: Eπ«
Sharps and Flats: 2♯ & 0♭
Syllable: Re
Associated Colour: Yellow
Frequency: 587.32 Hz.
A key of triumph β powerful and majestic, with perhaps a hint of cruelty and can be quarrelsome, at least in Major, where it is a key for declarations and war-cries. In Minor it becomes softer, more serious, more feminine and even melancholic or pious.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Minor-Sixth and its four tone interval brings some dark dissonance to the relationship. There is anguish, upsets, discontentment and instability to the relationship, it floats between pleasure and pain, and can be stressful and strained or shadowed and pitiful.
Perfect Fourth
βRoot:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.The Perfect Fourth is a difference of five semi-tones and has a perfection about it (hence the name). This is a strong, buoyant relationship, but is not without active tension, pathos and sad times, but they serve to make it stronger. The Perfect Fourth can be firm, hard and cold, even indifferent to emotions, but it is always successful.
Tri-tone
βRoot:
Key:E 6
Alternate Name: F♭
Sharps and Flats: 4♯ & 0♭
Syllable: Mi
Associated Colour: Sky-blue
Frequency: 659.24 Hz.
A key of delights, joy, and noisy pleasures in Major, that becomes more naive, innocent and has an air of hopeful optimism against great adversity in Minor.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Tritone, or Devil’s interval, is three whole tones wide and has a violent dissonance to it. The relationship is filled with mysterious tension, restless, anxious, excitement and uncertainty, it has surprises, a soupΓ§on of pretension, more than an air of destructive danger, and devilishly spicy heat. All of which can be terrible or great depending upon the context.
Minor-Second
βRoot:
Key:A 6
Alternate Name: Bπ«
Sharps and Flats: 3♯ & 0♭
Syllable: La
Associated Colour: Green
Frequency: 880 Hz.
A key of hope, innocent love, youth and deep satisfaction while Major, even in Minor it is still tender and caring, although it carries a more pious, sometimes even sanctimonious, more mature attitude.Note:
Key:A♯ 6
Alternate Name: B♭
Sharps and Flats: 0♯ & 2♭
Syllable: Li/Te
Associated Colour: Steel
Frequency: 932.32 Hz.
A cheerful key, full hope and aspiration in Major, that turns very sour, surly, mocking and dour in Minor. In Major it is the sound of a clear conscience, in Minor the sound of one so laden with guilt that suicide is on their mind.The Minor-Second is a difference of one semi-tone. This gives is a melancholic relationship, displeasurable, dull and dark, there is a certain weak, uptight, anguish to it. This is a relationship that has humiliation and pain baked in. There is a sense of roughness, derangement, shyness or illness to this relationship, that may express as occasional fear or anger.
Chromatic Mode is not really a mode and includes all the tones as part of the scale. This means we use a subset to consider harmonic and dissonant. Chromatic groups are everyone, the complete gamet of the world and its people, the whole multi-cultural society of not just humanity, but sapience across the Omniverse. No one is left out, and everyone is in, unless they choose to separate themselves off into their little bubbles, political parties, and smaller circles, cliques and clubs. Where, metaphorically speaking, they can find more harmony away from the dissonant chaos created by every voice singing their own song at once. Chromatic groups are far and away the most common groups, being sometimes just a tiny subset of every sentience, a few strangers who have no reason to be in the same place at the same time, but are.
Any Red indicates two Facets that have come to direct Conflict. Any Green indicates two Facets that have probably allied somewhere (often creating Annexes or similar that represent important technologies or other systems within the setting). Each time you refresh this page you should see different Red and Green Facets, indicating different potential alliances and conflicts within the system.